Menu Close

Day: July 17, 2013

Burn Baby Burn

Review of Inferno: SE (#54)

DVD Release Date: 11 Jun 13
Original Air Date: 09 May – 20 Jun 1970
Doctor/Companion: Three, Dr. Elizabeth “Liz” Shaw, Brigadier Lethbridge-Stewart
Stars: Jon Pertwee, Caroline John, Nicholas Courtney
Preceding Story: The Ambassadors of Death (Three, Liz, the Brigadier)
Succeeding Story: Terror of the Autons (Three, Jo, the Brigadier)

It seems strange to me that despite how much I love this serial, I’ve never actually given Inferno a proper review before. I count it among my Top 3 pre-Hiatus favorites and have recommended it often to those who want to try out new-to-them earlier Doctors (as long as they can handle a seven-part serial), so I was thrilled a few months ago to see it pop up on the list of upcoming Special Edition releases.

I was further thrilled when I realized June had seen the release of two stories written by Don Houghton (the other being The Mind of Evil). It’s only as I’ve gotten more deeply entrenched in Whovian culture that I’ve paid attention to such details. (I used to watch television and simply take what I saw on screen as it came, passing judgment in terms of “I do/don’t like this,” but not paying the least attention to writers, directors, and such. Go figure.) But I feel the richer for it; I have a new appreciation for why MoE worked for me, knowing my fondness for Inferno.

So what’s so hot (see what I did there?) about Inferno anyway? Well, for one thing, it throws in a beautiful idea not really seen in Doctor Who up to this point: that of an alternate universe. I love the way we get to see little personality differences between familiar characters and their counterparts in the parallel dimension. The supporting cast is brilliant, not least the stellar (if regrettably named) Olaf Pooley as Professor Stahlman. Despite some pretty “out there” plot developments, the whole cast plays everything straight, and you can’t help believe in their experiences and reactions. If nothing else, the administrative red tape that ties Sir Keith Gold’s hands from doing anything useful to prevent impending disaster adds a sense of (slightly depressing) realism.